LIFE AS ART - my first narrative film

This is the first completed narrative film I produced, wrote and directed.

At that time, my story telling background was primarily in news (newspaper, magazine, radio and TV) and documentary films.

It's about a guy - Todd Ellington - who devotes his life to his art - at the expense of everything else.

As we're mesmerized by watching him prepare to perform his art, we also see life go on without him; we watch life pass him by. Todd appears to be oblivious to this.

Despite his dedication and sacrifice to enhance his talent, perfect his skills and (especially) develop his facial features and expressions - those who watch him "perform" completely miss what he wants them to see most. What he is desperate for them to see!

In short, no matter how much he worked to have the audience experience what he prepared to show them? They miss it. They're looking everywhere else at everything else instead.

LIFE AS ART was an official selection of the Seattle International Film Festival and shown 'round the world, independently and in film festivals - it also enjoyed the honor of being screened with the Swedish comedy classic THE APPLE WAR at a local Seattle theater during its rare run.

Starring Kevin Wilde, the amazing score is composed and performed by Ben Hippen. I wrote the song, "Art is Forever."

Director of photography is Lon Magdich. It was shot on 16mm film.

The Rainy States film festival reviewer wrote: "Kenneth Branagh takes more than three hours to explain Hamlet's angst; director Colleen Patrick takes a mere 13 and a half minutes."

Because of its length, it's shown here in two segments. Credits are always part of my films - so there's something new for you to see until the very last frame.

LIFE AS ART - PART I



LIFE AS ART - PART II

The Gift

Reflecting on what I said about Susan Boyle - that is, being stymied by why she touches me so deeply: truth is I do know what there is about her that connects with so many of us so intensely.

Being someone who has worked with and cast just about every degree of talent over the years, it's not really a je ne sais quoi element. It's a personal energy. It's located within what I consider the soul of the individual, somewhere between the solar plexus and the gut.

I can actually feel it when I'm in the presence of someone who exudes it.

After seeing Amadeus many years ago, I couldn't understand why Salieri wasted his life envying Mozart and others, when he himself had been given such a unique gift: the ability to discern genuine talent. Mozart didn't really excel at his art until he was older - few realized he would create work that would live ... well, forever.

Think of how happy Salieri's life would have been had he adopted Mozart, nurturing his work, protecting him from his father and others who would exploit the man without ever understanding his true genius.

Instead, his jealousy drove him insane - it always does. Jealousy is the fear of losing something we've never had in the first place.

The distinction of a talented person shows up when those who have it work like hell to hone it. To express it, no matter how it comes out, no matter how long it takes.

And it never has to look, sound or feel "perfect."

The Beatles, IMO, are one of the greatest bands in the history of modern music - yet none of its members has a pristine, fantastic or gifted voice. Yet they connected with the hearts of so many regardless of the form their music took along their melodious journey. Their harmony, rhythm, message, joie de vivre; the love of their art and craft was infectious. And they never stopped practicing - growing as artists and human beings.

Which brings me to another subject: what I perceive as cultural differences between (hopefully without being too simplistic or encompassing regarding either group) between UK and US attitudes toward the arts.

We can find a Susan Boyle in the UK because the attitude there is much more respectful of the arts; people pursue their love of an art or craft because it is their passion - without ever considering the possibility of a career as an artist or craftsperson. Sharing it with family, friends and community is reward enough.

I know people in the UK and Europe who love to sing, write, perform, make films, play instruments and more just because their lives would feel incomplete without it. They also have day jobs, have families (functional, even!) and lead "ordinary" lives.

I have sung myself this way for many years, continuing to practice and study just because I love to do it. I sang professionally at one point and didn't like the lifestyle. Too much traveling for this home body. Today I sing for friends, family and special occasions.

In the US, unless there is a direct road or specific career plan - or some path clearly seen as a way to make a living, chances are family and friends frown on the pursuit of an art or craft just for the pure passion of that pursuit.

Been there, done that. When I first stared my film career after leaving journalism, I felt like the lone flea on a very large dog. I have no idea what made me think of that image, but you know, one seldom thinks of an isolated flea. Yes, that's it. On a very large, furry island of that huge canine.

People I knew well - and hardly at all - thought I was crazy. And too old. Support was difficult - if not impossible to come by.

But I couldn't NOT write, direct and produce. It's just a part of me. In the beginning, I thought perhaps I could try to make "something happen" career-wise through ordinary means - like LA. But I soon realized that was something I did not want.

Meanwhile, in Seattle, people were saying that "it" simply couldn't happen here. Go to LA.

I don't mind working in LA; but I have to live in Seattle. It's as much a part of me as my writing, directing, producing, pets, friends, home-

So I decided I would probably have to spend the rest of my life just being happy. Doing what I love on a day to day basis - making mostly short films while writing some 21 feature scripts - surrounding myself with people who understood what I was doing, with no expectation of 'more.'

I don't think it's a fluke that my closest friend is British, living in Manchester.

Beating breast cancer put a crimp in my style for nearly three years, but it didn't stop me from working on my own films as well as coaching actors, writers and directors until I was finally told to stop or my positive prognosis would change.

Next Tuesday, June 2, my business partner Gary Allen Tucci and I will be attending the world premiere of our feature, THE WHOLE TRUTH, a screwball comedy starring Elisabeth Röhm, Sean Patrick Flanery and Eric Roberts at the Seattle International Film Festival.

Along with Elisabeth and Sean Patrick, several outstanding supporting actors like Rick Overton and Jim Holmes will be on hand to watch it for the first time along with the rest of the audience. Eric is shooting a film with Sylvester Stallone in New Orleans and can't join us - John Fugelsang will be performing in London.

I hope we see you there!