The down side of being a director

It's said that 90% of the director's job is choosing the right cast.

This is not as simple as it sounds. There are all sorts of casting obstacles for good actors, not the least of which are their schedules.

But if it turns out the way we want, it makes a huge difference in the life of a film.

Casting just the right folks and working with a kick ass crew found by our producers (ultimately chosen by me, but they seek the candidates) comes a close second.

In the case of THE WHOLE TRUTH cast and crew all came together just as they should have, just as I wanted. Knock wood, say a prayer of thanks, light a candle, rub Ho Tai's tummy and head.

But then here comes the down side:

With only five days of shooting left, after being in "shooting battle" shoulder to shoulder with these wonderful folks, their families and pets for 5 weeks, it's coming to an end.

It's like being a parent. You know the kids of whom you are so proud and love so much have to go on their merry way to excel and create even more happiness in their lives (although I hope to work with most of them again and soon), but it is still pretty heartbreaking.

Thus, Heart Break Productionz.

Such marvelous folks, such extraordinary talent, skill, support and collaboration. I'm going to miss them so much. I have such respect and affection for them. I can't imagine not seeing them as I go to work every morning.

After my short vacation, editor Stephen Myers will be here in Seattle editing the film with me for about a month of dedicated toil. The film should be locked Dec. 15, then the music and sound sweetening will be added, completely finishing the film about Jan 30 because of the holiday break. At which time, we'll fill out the film's website with all sorts of goodies and great stuff.

During that time, I'll also be finessing the script for THE LONELY GOATHERD, which we should have mapped out for production by the middle or end of next Month.

What a lovely way to spend Thanksgiving. As for me, my personal Thanksgiving will be spent soaking in every moment I have left to be in the company of such magnificence that is the crew and cast of THE WHOLE TRUTH and of course enjoying our wrap party the night after we wrap.

And looking forward to seeing almost everyone again on the sets and locations of THE LONELY GOATHERD. Two of our major THE WHOLE TRUTH cast members are already cast in THE LONELY GOATHERD, and in distinctly different types of roles, so it will be another hoot and a half!

I can harldly wait.

Until then, my only focus is devoted to the last few days of shooting THE WHOLE TRUTH, capturing scenes and action that complete the moving massive jigsaw that is the puzzle of creating a motion picture.

The script is finished!

Whew!

The Whole Truth script is off to the unit production manager (UPM), who's breaking down the budget and shooting schedule.

Now I'll go to work writing my next feature, Ghost Hound, and we're getting the crew together for The Whole Truth.

As soon as the budget and shooting schedule are up, we roll our sleeves up and it's off location scouting and putting all the pieces of the preproduction puzzle together so we'll be ready to have a great time shooting the film.

I've been drumming up good will around Seattle, telling people I'll be shooting a fun feature this fall in case they want to help us out, since we'll need lots of extras for a couple scenes, and we want real Seattle-ites mixing it up with actors so it's fun for the whole city.

We're now looking for a great, experienced Director of Photographer who hopefully has working with comedy in his or her background; we're shooting 35mm film. We should find him or her soon.

Lots of information will have to be confidential for awhile relating to casting -- but for now, I've listed the colors I think would set off each character in the milieu of the set pieces, as well as listed a musical instrument that I believe represents each character well.

We've got an unbelievable composer aboard - more about him later. He's in LA, but working long distance with composers is not a big deal to me. I've worked with composers in Manchester, England and Toronto, Canada.

God bless the internet and Skype.com!

OK - I'm going to take the rest of the evening off; I have an actors' seminar to conduct tomorrow (Saturday) and an improv group I've been invited to watch tomorrow evening on Bainbrindge Island. I'll give you a review - it reportedly features a remarkable, talented group of performers. I need an entertainment break!

Will Hollywood get my Goat?

OK, I can't say too much, except a literary agent from a major Hollywood Agency has my Goat Story comedy feature script (I can't mention the title because it might give too much away) to consider repping it and me.

I'll find out if he's high on the writing, characters and story in a couple weeks; I'll keep you looped.

Meanwhile, you know all those scripts I've been squirred away writing in my little North Seattle cabin in the woods and holding actor's readings of them over the past several years? They'll get a shot as well if this materializes.

What it means is that all the work is closer to paying off -- some are indie, some are commercial.

What it really means is that the journey really is the reward. I've had one heck of a good time writing my scripts, working with actors and developing what I consider quality story lines, memorable characters and frankly, lots of laughs and tears during the creative process.

I'm coaching someone who just received a major award. And he's not happy with what he's doing because his priorities were more material than experiential. Ooops.

He said he thought for sure if he ever achieved this award, he would be on top of the world. Well, there he is now, with his award - and will be feted at lavish celebration. But when he looks back at his journey - especially this past year - he does not want to re-do it ever again.

Priorities. And of course, he especially learned to *listen to his coach.* She predicted some serious problems working the way he was, maintaining other than enjoy the journey priorities and she was ignored.

He would have won the award either way, but why not enjoy life while you work so that winning the award is just the little tasty cherry on top of a great year of life?

Meanwhile, in my life, church mice might have a better credit score, nicer cars and clothes, but I've enjoyed the heck out of doing what I do - am passionate about it, feel proud of what I've accomplished, of maintaining my integrity, values and standards through it all, and have always believed a breathrough would come sooner or later.

In this case it would be thanks to a very renowned, generous (and anonymous) colleague who has known me for several years, and has also seen me help other qualified artists work their way up the food chain.

At this point, I'm not really excited - those close to me who know the details are excited for me. If it all goes through and the company I'd love to see produce this script with the casting suggestions I've made? Then, excitement.

Until then, I have a staged actor's reading performance of The Herbalist to produce and direct (I'll have plenty of photos for you! Amazing cast!), as well as pimp for investors with Executive Producer Chris Koruga, and two feature scripts to finish.

I'm thrilled ultrasharp script supervisor Kay Taylor, who has been at my side for several of my film and staged reading projects, will be on hand for the gruelling 4 hour rehearsal, as well as the performance. Her notes are invaluable.

A fine actor in her own right, Karie Gonia, is working hard as my assistant and right hand (you know I wondered where that hand went..). Another great Northwest actor, Ryan Cooper, is also assisting me during the rehearsal and performance.

All this and Seeker, my Pomeranian puppy - well, he's more an adolescent now - has learned how to chew his way through the fence I built for the back yard several years ago. The other two pups gleefully follow him, bouncing outside the yard for me to rush out to collect. Three five-pound Pomeranians are not seen as a real "dog pack" threat, but they can bother the neighbors so I'm mortified when he chews another hole for me to plug

Fortunately, they come back quickly, but that doesn't stop the neighbors from raising a disapproving eyebrow.

I'm getting a metal fence made that will be chew-proof. The back yard is plenty big enough for these little rougues, they don't need to be galloping gangsta-style all over the neighborhood! Allie Cat keeps an eye on them, making sure they get back home - through the same hole - soon.

When I complain that I have enough to do without worrying about them - they only look at me, eyes glittering with stories of their adventures running around.

I'm also learning about "raw food diet" eating .... my fitness coach is all over this and believes it will help streamline the new me.

Oh, yes, and I'm recording a song this coming weekend with the assistance of my singing coach, Nedra Gaskill, to submit for a national competition. More on that later.

Fortunately, friends and family are all well, little 4-year old JoJo is making his way bravely through his leukemia treatments, and I'm learning to pace myself so I can get everything done without exhausting myself (famous last words!).

My new projects

Last week I wrote the script and did all the preproduction work for directing a commercial I'm shooting this coming Thursday.

Preproduction means: working the set into place (designing it), props, cast, hair, make-up, costume, lighting, camera angles, sound, working with my lead actress (who will undoubtedly be a star after this) - the script is letter perfect, not a single change needed.

I'll also be working with a 3 year-old boy, whom we'll put on the set at the very last minute because he has one word to say - several times - then he has an action to perform. I have an understudy in case the first boy doesn't quite get what to do quickly.

I expect to get it done fast anyway because we don't want any cranky kids to deal with! And I work really well with kids.

Especially the kids who want to be returned to their mommy if they do what I tell them ... ;-)

I'M KIDDING!!!

I'm very fortunate to know a writer/director whose fantastic equipment we'll be using for the shoot, making it just a cut above technically while still looking not too polished so it can resonate with the audience.

As soon as we finish shooting Thursday, the video is being whisked to the editor, whom I shall join when I return from an out of town trip to fine tune it, frame by frame (I'm one of those hands-on directors).

When it's finished, by the end of this coming weekend, we'll upload it to the sponsors, and my blog if my webmaster can put it up here framed, then you can judge for yourself.

It's fun, funny and memorable, so I think the product reps as well as audiences will appreciate it.

I'm working with some GREAT people -- cast and crew. Hopefully I can post it here - it will be :30 seconds, and it will be available other places online and possibly even network TV. I'll keep you updated.

I'm also doing a lot of unexpected in-depth research for my new screenplay. Even though the story is very serious, I want to present it as a comedy because it would be tough to take in as a drama - but you'll get what you need to out of it while you're laughing. I'm really in favor of enlightening experiences with as little suffering as possible....

The two leads are put on the "horns of a dilemma," which means that just about any answer or solution they come up with is uncomfortable to both of them. They both have a lot to lose by getting what they want and need.

And of course whatever they do affects everyone around them. So do we go for our passion knowing that in the end everyone will benefit? Or do we spare everyone any discomfort by trying to compromise what in the end we know is the truth?

I'll leave it at that.

All the research is about how do we deal with dilemmas, rather than problems.

Dilemmas deal with two choices, neither of which is "acceptable." -- problems can usually be worked out with everyone winning in one way or another because one choice is generally best.

Lots of philosophical reading, because these characters have to do it poorly - mess up along the way -- as well as figure out how to properly figure out what to do in the end. And there can be no "tricks" or phony secrets that suddenly pop up to make the work any easier.

In fact, every obstacle they face has to be greater and make their work more difficult.

In the end, does one give up? Is it just too hard to figure out?

Or are they both equally as committed to work it through, no matter what it takes, while still being sensitive to the needs of others involved?

Mind you, both have a *lot* to lose no matter which way they turn ... and they must figure out if that loss is worth the journey. Is this issue really worth the immense loss? Is it a short term gain, long term loss? Or a short term loss with a long term gain?

Defining their personalities is something they can help me with as I fill my mind up with all the choices we can possibly have; they'll pick and choose based on their background and personalities.

I also outlined three more screenplays, one of which is very commercial and would sell the quickest, but I need to go through this journey with characters suffering the process of seeking their way out of a dilemma because it's so complex, difficult and challenging for me.

I figure between this work and all the others I've done, I should be able to make it through any writing challenge after this.

Back to work, me!

feels like home

I've joined a professional group of screenwriters in LA to become not just a better screenwriter, but a great one.

I'm working with them long distance from Seattle (with the possible trip to LA now and then), and have to say, it feels like home.

These folks are only interested in quality work, and after a long discussion with two of their leaders, I'm quite happy to be working with them.

It's going to mean far more intense devotion to my screenwriting, and I have to say it's time.

I do so many things - coach actors, writers, stand-up comics, singers and other performers, write (all sorts of things, including this near daily blog that enjoys a readership of tens of thousands of readers in 68 nations), direct, sing, and of course enjoy being a convivial, entertaining dinner party guest!

While I may be good at just about everything I do, I want to devote more of my life to writing and directing quality work. Having produced/written and directed some 16 short films and videos for the sake of improving my craft and my art, as well as written some 10 feature scripts, I want to get down and dirty and very serious about my writing and directing -- not to mention often produced.

The team I joined yesterday will help me make that happen and as I say, I'm thrilled they contacted me. One member who read my script Nothing But The Truth pronounced it "boffo!" It still has some improvements in store, but to start with that positive a review can't be a bad thing.

Anyway, I'm delighted, I'm organized and ready to work harder, learn quickly and continue to do what I love and love what I do but on a notably advanced professional level that will put me where I want to be in my career for the rest of my life.

When I speak of such things, my coachees have near heart attacks, fearful they're losing me -- nope, I'm still here for you! I'm just restricting new people I take so I can devote more time to writing and soon directing at a level I've prepared myself to perform - honing my craft, studying, researching, analyzing and doing the work - over the years.

For some reason I thought this experience would feel intimidating; overwhelming or scary.

Nope. It feels like home. The folks I've met speak my language. I feel like I'm right where I belong.

I'll take you on my journey with me, as always - only I may not be able to blog as often as I do now because of the changes in my schedule.