My new movieScope camera acting column features--
Blair says she never thought she would have a camera - film or TV - career because, "I thought I wasn't attractive enough." I assured her in my own, inimitable way, "Really? You are definitely not chopped liver!"
Said she: "I have my moments."
Right. Well, take a look at her photo and I ask you -- what's not gorgeous?
When you read the column, you'll understand why so many good directors and actors love to work with her on such a variety of commercial, independent and television projects.
Kath and Kim is the American version of the hilarious, extremely popular Australian TV series of the same name, based on the dysfunctional relationship between a mother and daughter. Selma portrays Kim, the daughter, whose self-image is inflated to the point of absurdity -- *completely* opposite of the actress herself.
Two gritty, visceral films she recently worked on are examples of her extraordinary range: Lori Petty's The Poker House and Tom Shankland's WΔZ (pronounced: W Delta Zed) are stories of extremely damaged characters -- Selma says she feels more comfortable portraying flawed characters than "normal" people.
"I usually fall flat," she says about her turn at acting roles of "regular folks."
See what I mean?
Anyway, to pimp the movieScope column, I'll just say that she *does* give herself credit for giving good performances as she works with and learns from great directors and superb actors.
But not much.
Labels: camera acting columnist, Colleen Patrick, Hellboy II, Lori Petty, movieScope international filmmaking magazine, Selma Blair, The Poker House, Tom Shankland, W Delta Zed