I love talking about the craft

Yesterday I had the privilege of interviewing one of the best American actors today - David Morse - for my new movieScope Acting for the Camera column.

A down to earth family man and topnotch professional, constantly and consistently working in quality TV programs, commercial and indie films, the popular and award-winning thespian will not disappoint actors and other artists who read the column. He has some great advice using analogies that can be visualized when assuming a character - and staying there.

He credits his success to working with acting coach Bill Esper, who told David, already successful in theater, to quit acting for two years and just study with him. David says the suggestion by another actor to "study with Bill is the best advice I've ever been given."

Esper has a new book coming out this year, Esper on Meisner.

In Disturbia, David doesn't ever break character, but he did break a finger in a fight scene, and went on to perform in the scene as if he wasn't injured. When I asked him about his digital wound, he told me in his genuinely humble way that breaking a finger was pretty much nothing for him at that point, considering he broke his hand shortly before working on another project, and performed the entire film with a broken hand - which was *mighty* painful. "I couldn't see the character wearing a cast," he said.

Let me say it for him: ouch.

Way to man up, David (who says actors are pansies?!) - and of course turn in another memorable performance!

Our conversation about the craft of acting was also memorable, as I hope my column will be.

Best reality show: Meerkat Manor

Sean Astin narrates the US version of this fascinating series - the video outcome of following a meerkat "mob" (family, "gang") nicknamed the "Whiskers" for several years - on the Animal Planet network.

Meerkat Manor hits just the right medium between anthropomorphism and objective observation to captivate, entertain and educate us about the lifestyle and day to day life and death challenges of this intriguing group of Kalahari Desert inhabitants, in their underground burrows as well as on terra firma.

The upbeat, light Disney-ish music that accompanies the programs is misleading, because when I say it takes us through all the family (functional and dysfunctional) issues as well as the challenge of surviving the formidable environment of the South African desert, I mean all.

As cute as these 12-inch mammals might be, they experience everything we see on dramas starring human beings - and more. Small children might find it a little too intense and I'd suggest that kids in general see it in the company of an adult to further explain what they're watching.

Especially since we come to know each member of the family as he or she moves through the day fielding predators (including members of their own mob!), finding food, protecting their pups and of course "romance" -- but not everyone survives.

One production value I appreciate about Meerkat Manor is that unlike human participants who have been screened and "cast;" individuals craving exposure who can manipulate their personas in an attempt to be seen in a certain light by the audience or producers, or who can be manipulated by producers to do this or that in order to boost ratings in a "reality" show, these characters are not actors.

In fact, because they're animals they don't care about audiences or television; they've absolutely unaware of fame, fortune, becoming "someone," religious groups who object to having pups out of wedlock, photo ops, parlaying this opportunity into a record or movie deal, trying to get a paw in the show biz door, yadda yadda yadda.

They just do what they do and have no idea that someone is watching them. No teeth whitening or veneers, "lifts," extensive workouts to take off that last ten pounds, publicists, agents or stylists.

Perhaps what is so enticing to us about watching these animals is that they often reflect our own image -- frequently walking on two legs, while still using all four limbs and their tail to get around and use as building tools.

So if the standard soap opera elements of hanky panky, feuds, reunions, rivalries, friends, enemies, danger, intrigue, neighbor problems, strong family values ( ;-), threats, victims, death, babies, literally climbing the food chain, heroes, failure and success among these engaging animals make for good television viewing in your home? I'd suggest you tune in.

Wikipedia has a complete breakdown of all the families, their members and personalities here.

I find myself watching episodes more than once (or twice or three times, actually); hardcore fans buy the DVD's.

And there's more to come! The third season of 13 episodes is being completed for UK viewers - the rest of the world will catch up. And if the international popularity of this series continues, I believe we can count on more seasons after number three as well!